![]() ![]() It took 12 years to complete, but the result is an invaluable resource that brings us closer to understanding Kubrick’s meticulous and idiosyncratic methodology - and debunks some entrenched myths about the set. Unkrich conducted most of the interviews (including Shelley Duvall and child actor Danny Lloyd) and paid Rinzler out of pocket to write the book. Rinzler (“The Making of Star Wars” and “The Complete Making of Indiana Jones”), so they joined forces. He pitched his proposal to the Kubrick estate but learned that he had a rival in the late J.W. Unkrich was like a kid in Kubrick’s candy store, and the seeds were planted for this definitive book. ‘It Wasn’t Just a Case of Doing Cool Sh*t’: Why ‘The Mother’ Fight Scenes Smart Then he visited the Kubrick Archive during the London press tour for “Toy Story 3.” ![]() But over the years, Unkrich became frustrated at the lack of information - and the surfeit of misinformation - about the making of the film. Not surprisingly, “The Shining” shaped his career when he joined Pixar as an editor on “Toy Story,” flourishing for 25 years as co-director (“Monsters, Inc.” and “Finding Nemo”) and director (the Oscar-winning “Toy Story 3” and “Coco”). The Kubrick film’s sense of the uncanny and bravura filmmaking (including the innovative use of Garrett Brown’s Steadicam) possessed Unkrich from his first viewing at an Ohio movie theater and ultimately led to decades of rewatching the story of the Torrance family trapped at the haunted Overlook Hotel. (A smaller standard edition has not yet been announced.) The three-volume collection includes hundreds of never-before-seen production photographs from the Stanley Kubrick Archive in London, interviews with cast and crew, and a deluxe set of facsimile reproductions of ephemera from “the masterpiece of modern horror.” After years of “The Shining” Easter eggs popping up in Pixar films, Unkrich’s fascination with Stanley Kubrick’s 1980 horror cult classic culminates in his monumental making-of book: “Stanley Kubrick’s The Shining” (Taschen), currently available in a Collector’s Edition of 1,000 copies ($1,500). The PlayStation Plus’ modern offerings may offer a plethora of great games from the PS4 and PS5, but more could be done for those looking to look into PlayStation’s greatest hits.“ The Shining” has obsessed Oscar-winning Pixar director Lee Unkrich since he saw it in theaters at the age of 12. Some may argue that this is due to how tough it was coding games on the PS3, which also means that it may be harder to emulate these games on the service.įor now, the PlayStation Plus Classics Catalogue has not done enough to honour the PlayStation’s legacy just yet. What is a bigger missed opportunity is how PlayStation 3 games are not part of the service at all, barring a couple of games from the era that received remastered editions later on. While it does include classics like Wild Arms and the Jak and Daxter trilogy, it features more obscure games like Echochrome or No Heroes Allowed. As it stands, the service only features games from the original PlayStation, PS2, and PSP.Įven then, hardly any of the games are truly worthwhile, especially for the Southeast Asian version of PlayStation Plus. This isn’t just a problem specific to the porting of the PSP version of Toy Story 3, but rather a frustrating part of Sony’s PlayStation Plus Classics Catalogue as a whole. Not to mention that the PlayStation 3 version had Emperor Zurg as an exclusive playable character in the Toy Box mode. It is a sordid and linear affair that may have been fine on a small, portable console, but for those playing it on the PlayStation 5, it is nothing short of a travesty. The PSP version is watered down, to say the least, as it does not even feature the iconic Toy Box mode or even multiplayer mode. So it was a shame to boot up the PlayStation Plus Classics Catalogue and download Toy Story 3, only to discover that it was the PlayStation Portable version. ![]()
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